巢湖学院学报 ›› 2020, Vol. 22 ›› Issue (1): 104-109+116.doi: 10.12152/j.issn.1672-2868.2020.01.015

• 文学与艺术 • 上一篇    下一篇

论茅盾与中国近代戏剧改革

张新雪,安徽师范大学 文学院,安徽 芜湖 241000   

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  • 收稿日期:2019-07-12 出版日期:2020-01-25 发布日期:2020-04-09
  • 作者简介:张新雪(1991-),女,安徽阜阳人,安徽师范大学文学院硕士研究生,主要从事中国文艺理论研究。

Mao Dun and the Reform of Modern Chinese Drama

ZHANG Xin-xue, College of Liberal Arts, Anhui Normal University, Wuhu Anhui 241000   

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  • Received:2019-07-12 Online:2020-01-25 Published:2020-04-09

摘要: 戏剧批评文章在茅盾所有的文艺批评文章中所占比例较小,但这些戏剧批评文章对理论薄弱的中国近代戏剧发展却有着重要的促进和推动作用。茅盾将戏剧改革作为文学和社会改革的一部分,力促中国旧戏的改革和外国话剧的本土化,并形成了较为中肯的戏剧批评方式,对当时的戏剧创作有着重要的指导作用。同时,茅盾关于戏剧的批评以其功用性为主,是“为人生”的理念在戏剧文学中的呈现。茅盾对中国戏剧改革的重要意义和其戏剧批评的局限性,对中国当代戏剧的发展有着不可忽视的启发意义。

关键词: 茅盾, 戏剧, 改革

Abstract: Mao Dun's critical articles on drama account for a small proportion of all his literary and art critical articles, but they play a very important role in promoting the weak theory of modern Chinese drama. Mao Dun has always pushed forward the reform of Chinese old plays and the localization of drama introduced from the west, and formed a more pertinent way of drama criticism, which has played a guiding role in the development of Chinese drama. At the same time, Mao Dun's views on drama are dominated by its function, and they are the representation of "For the Life" concept in dramatic literature. Mao Dun's important contribution to Chinese drama reform and the limitation of his drama criticism have enlightening significance to the development of Chinese contemporary drama.

Key words: Mao Dun, drama, reform

中图分类号: 

  • I06