巢湖学院学报 ›› 2020, Vol. 22 ›› Issue (1): 110-116.doi: 10.12152/j.issn.1672-2868.2020.01.016

• 文学与艺术 • 上一篇    下一篇

艺术社会学视阈下中西风俗画比较研究

作为一种特殊的文化现象,风俗画题材的选择主要源于日常生活,充满人文气息的同时也是社会的直接反映。从艺术学的角度来看,风俗画反映了社会不同阶级的审美风尚,文章试图结合中西美术史上共有的风俗画发展黄金时期:中国两宋时期与 17 世纪的荷兰,在艺术社会学视阈下管窥中西风俗画如何进行审美价值观建构以及处理风俗画功能与创作动机的互动关系,以期对风俗画形成新的认知。
  

  1. 扬州大学 美术与设计学院,江苏 扬州 225009
  • 收稿日期:2019-07-02 出版日期:2020-01-25 发布日期:2020-04-09
  • 作者简介:华雪(1996-),女,江苏宿迁人,扬州大学美术与设计学院硕士研究生,主要从事美术学研究。

A Comparative Study of Chinese and Western Custom Paintings from the Perspective of Art Sociology

As a special cultural phenomenon, the choice of a theme for custom painting mainly comes from daily life, which is full of humanism and a direct reflection of society. From the perspective of art, custom painting reflects the aesthetic fashion of different classes in society. This paper attempts to combine the golden periods of the development of custom painting in the history of Chinese and Western art: China's Song Dynasty and the Netherlands in the 17th Century. From the perspective of art sociology, it tries to see how Chinese and Western custom paintings constructed aesthetic values and dealt with the interaction between the function of custom painting and the motivation of creation, in order to form a new understanding of custom painting.   

  1. College of Art and Design, Yangzhou University, Yangzhou Jiangsu 225009
  • Received:2019-07-02 Online:2020-01-25 Published:2020-04-09

摘要: 作为一种特殊的文化现象,风俗画题材的选择主要源于日常生活,充满人文气息的同时也是社会的直接反映。从艺术学的角度来看,风俗画反映了社会不同阶级的审美风尚,文章试图结合中西美术史上共有的风俗画发展黄金时期:中国两宋时期与 17 世纪的荷兰,在艺术社会学视阈下管窥中西风俗画如何进行审美价值观建构以及处理风俗画功能与创作动机的互动关系,以期对风俗画形成新的认知。

关键词: 风俗画, 艺术社会学, 审美价值观建构, 创作动机, 艺术赞助

Abstract: As a special cultural phenomenon, the choice of a theme for custom painting mainly comes from daily life, which is full of humanism and a direct reflection of society. From the perspective of art, custom painting reflects the aesthetic fashion of different classes in society. This paper attempts to combine the golden periods of the development of custom painting in the history of Chinese and Western art: China's Song Dynasty and the Netherlands in the 17th Century. From the perspective of art sociology, it tries to see how Chinese and Western custom paintings constructed aesthetic values and dealt with the interaction between the function of custom painting and the motivation of creation, in order to form a new understanding of custom painting.

Key words: custom painting, art sociology, esthetic value construction, creation motivation, art sponsorship

中图分类号: 

  • J205