巢湖学院学报 ›› 2019, Vol. 21 ›› Issue (4): 137-143.doi: 10.12152/j.issn.1672-2868.2019.04.021
19 世纪英国小说《傲慢与偏见》《简·爱》先后问世，一改往日男性中心主义的创作模式，彰显了鲜明的女性主义特色。但是由于当时英国社会所处时代背景的限制，作家潜意识里也成为了男权社会的迎合者，一定程度上戴上了父权制社会的镣铐而不自觉。针对此种现象，从小说的父权文化印记、男权视角婚恋观、小说结局的通俗性三个层面具体探讨女性写作突围面临的困境。
In the 19th century, the British novel Pride and Prejudice and Jane Eyre came out successively, which changed the traditional male-centered creative mode and highlighted the distinct feminist characteristics. However, owing to the limitation of the background of the British society at that time, the writers subconsciously became the caterers of the patriarchal society and, to a certain extent, wore the shackles of the patriarchal society unconsciously. In view of this phenomenon, this paper probes into the dilemma faced by female writers in breaking through the siege from three aspects: the patriarchal cultural imprint of the novel, the view of marriage and love from the perspective of male chauvinism and the popularity of the novel's ending.#br#
