论清代人物绘画中“肖品”观念的形成与表达

doi:10.12152/j.issn.1672-2868.2021.05.013

巢湖学院学报 ›› 2021, Vol. 23 ›› Issue (5): 93-98.doi: 10.12152/j.issn.1672-2868.2021.05.013

论清代人物绘画中“肖品”观念的形成与表达

黄倩倩：云南师范大学美术学院

云南师范大学美术学院，云南昆明 650500

收稿日期:2021-01-04 出版日期:2021-09-25 发布日期:2021-12-04
作者简介:黄倩倩（1997—），女，河南许昌人，云南师范大学美术学院硕士研究生，主要从事美术历史及理论研究。
基金资助:
云南师范大学研究生科研创新基金（一般项目）（项目编号：YJSJJ21-B46）

On the Formation and Expression of the Concept of "Xiaopin" in Figure Painting in Qing Dynasty

HUANG Qian-qian：School of Fine Arts, Yunnan Normal University

School of Fine Arts, Yunnan Normal University, Kunming Yunnan 650500

Received:2021-01-04 Online:2021-09-25 Published:2021-12-04

摘要/Abstract

摘要： 人物画于清朝绘画中极为常见，在画论中亦有大量文字记载。文章通过对古籍整理及分析相关“肖”至“肖品”的演变，逐步深入对清朝时期“肖品”观念内容的阐释。对“肖品”观念产生、绘画中如何运用及表达的问题做出探究，通过多个层面进行分析，以期呈现出“肖品”观念中整体的内在框架。

关键词: 人物画, 肖, 肖品, 形神

Abstract: Figure painting is very common in Qing Dynasty, and there are numerous written records about it. This paper analyzes the evolution from "Xiao" to "Xiaopin" based on the ancient books, and explains the concept of "Xiaopin" in Qing Dynasty. The study explores the emergence of the concept of "Xiaopin", how to use and express it in painting, and analyzes it from multiple levels in order to present the overall internal framework of the concept of "Xiaopin".

Key words: figure painting, Xiao, Xiaopin, form and spirit

中图分类号:

J222

黄倩倩. 论清代人物绘画中“肖品”观念的形成与表达[J]. 巢湖学院学报, 2021, 23(5): 93-98.

HUANG Qian-qian. On the Formation and Expression of the Concept of "Xiaopin" in Figure Painting in Qing Dynasty[J]. Journal of Chaohu University, 2021, 23(5): 93-98.

[1]	胡太南. 试用皮尔斯符号学解读中国画的图式内涵——以明末清初陈洪绶绘画为例[J]. 巢湖学院学报, 2020, 22(5): 120-126.
[2]	崔寅. 论中式风景的情感表达[J]. 巢湖学院学报, 2018, 20(5): 89-92.

论清代人物绘画中“肖品”观念的形成与表达

On the Formation and Expression of the Concept of "Xiaopin" in Figure Painting in Qing Dynasty

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