The visual images of Huizhou in Ming and Qing dynasties can be divided into "elegant" images and "folk public" images, Taking the painters of Huizhou in the Ming and Qing Dynasties as an example, they inherited the cultural context of Xin'an, innovated the visual schema of "reduced brush" in Huizhou, absorbed the linear modeling and seal cutting meaning of Xin'an painting school, and the pictures showed a flat and abstract style. Artists in Anhui, based on Huangshan, Huizhou architecture and Xin'an natural scenery as the blueprint, have some innovation in succession and build their own rational landcape. Anhui oil painting landscape painters recall the tranquility of the past, trying to find the harmonious coexistence between man and nature in the past, trying to create a spiritual world in which man and nature are integrated into one, giving spiritual enlightenment to people and arousing people's thinking on the relationship between man and nature.