圣桑钢琴创作中的“折衷主义”理念探究——以《热情的快板》Op.70为例
陈炳琪, 崔静瑶
Exploring the Concept of "Eclecticism" in Saint-Saens's Piano Compositions:
A Case Study of Allegro Appassionato, Op.70
CHEN Bing-qi, CUI Jing-yao
巢湖学院学报
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2024, (5): 87
-93
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DOI: 10.12152/j.issn.1672-2868.2024.05.012
