在地方戏曲的产生、发展、传播和创新过程中，记忆始终是隐藏于其间的那条主线，关于时间、空间、声音、文化、社会、历史等多元记忆的融合是地方戏曲不同于其他艺术形式独特而重要的风格性基石。将地方戏曲的记忆作为研究对象，以安徽庐剧为例，从音乐、语言和空间三个维度来探究地方戏曲记忆的内容和方式。音乐记忆中包含了传统戏曲、地方民歌和当代音乐等内容；包括各地方言和官话在内的语言记忆始终在地方戏曲中占据着重要的地位；物理空间、社会空间和心理空间记忆以唱词、音乐和程式等文化符号形式出现，反映和记录了大量的历史事件和百姓生活的真实状态。

In the process of the emergence, development, dissemination and innovation of local operas, memory is always the main line hidden in it. The integration of multiple memories including time, space, voice, culture, society and history is the unique and important style that distinguishes local operas from other art forms. With the memory of local operas as the research object, this paper takes Anhui Lu Opera as an example to explore the content and mode of local opera memory from the three dimensions of music, language and space. Music memory includes traditional opera, local folk songs and contemporary music. Language memory, including local dialects and accents, has always played an important role in local operas. Memories of physical space, social space and psychological space appear in the form of cultural symbols such as lyrics, music and programs, recording numerous historical events and the real status of people's life.