三部弦乐四重奏是奥涅格重要的室内乐作品。文章以作曲技术理论为视角，拟定其三部弦乐四重奏为研究对象，聚焦于音高组织领域，以本体分析为手段，分别从和弦材料、非功能性和声进行以及现代对位技法三个方面展开研究，旨在厘清其作品中音高材料的横向进行与纵向排列、掌握其和声运动状态，进而理解奥涅格个性化的音乐语言。

Three string quartets are Arthur Honegger’s important chamber music works. From the perspective of composition technology theory, this paper takes his three string quartets as the research object, focuses on the field of pitch organization, and uses ontology analysis as the method, to carry out research from three aspects: chord materials, non -functional harmony and modern counterpoint techniques, in order to clarify the horizontal and vertical arrangement of pitch materials in his works, master the state of harmony movement, and then understand Arthur Honegger’s personalized music language.