山水画选题的重复性自古有之，而“旅人”在山水画的发展史中扮演着至关重要的角色。文章以个案分析与图像分析为主要的研究方法，将“旅人”题材作为首要切入点，研究它所产生的重复性，以及引发此现象于绘画史中一再重现、无法断绝的原因。重点分析其中自古有之的“仿古”传统与明代中后期新兴的艺术作品“市场化”对山水画产生重复性的影响，以此探究山水画选题的重复性在山水画家革新下的表现形态与艺术意义。继而可知，山水画家从不排斥选题的重复性，反而十分热衷于选取重复性下的“旧题材”，而“旧题材”事实上并不“旧”，它能在新的岁月、新的画家笔下焕发出新的生机。

The repetition of landscape painting theme has existed since ancient times, and the theme of "travelers" plays a vital role in the evolution history of landscape painting. The paper, with case analysis and image analysis as the main research methods, takes the theme of "travelers" as the starting point to study its repetition and the reasons why this phenomenon can't be cut off in painting history. The focus is on the analysis of the "antique" tradition which has existed since ancient times and the influence of emerging "marketization" in the middle and late Ming Dynasty on landscape painting repetition. In this way, the study explores the manifestation and artistic significance of landscape painting theme repetition under the innovation of landscape painters. Then, we can see that landscape painters never reject the repetition of theme, but are very keen to choose the "old theme"; the "old theme" is not actually "old", and it can glow with new vitality in the new years and with new painters.