人物画于清朝绘画中极为常见，在画论中亦有大量文字记载。文章通过对古籍整理及分析相关“肖”至“肖品”的演变，逐步深入对清朝时期“肖品”观念内容的阐释。对“肖品”观念产生、绘画中如何运用及表达的问题做出探究，通过多个层面进行分析，以期呈现出“肖品”观念中整体的内在框架。

Figure painting is very common in Qing Dynasty, and there are numerous written records about it. This paper analyzes the evolution from "Xiao" to "Xiaopin" based on the ancient books, and explains the concept of "Xiaopin" in Qing Dynasty. The study explores the emergence of the concept of "Xiaopin", how to use and express it in painting, and analyzes it from multiple levels in order to present the overall internal framework of the concept of "Xiaopin".