为了建构社会对于抗疫记忆的群体想象，国家话语体系下的医疗类纪录片不断涌现。《中国医生战疫版》凭借其看似粗粝却真实有力的影像风格，全景化地勾勒了抗疫群像。运用文化记忆的理论对该片的修辞方式重新进行审视，可以发现《中国医生战疫版》在记忆实践、叙事结构和符号提炼上的独特之处；同时，纪录片以一种重构的文化记忆介入当下的历史，对医护群体投射了全社会的关怀。另外，经过记忆叙事之后建构的身份认同，也占据了“抗疫”舆论场上的话题优势，为医疗类纪录片的生产实践，提供了新的方法与途径，并创造出新的官方话语传播景观。

In order to construct the community imagination of anti-epidemic memory, medical documentaries under the national discourse system are constantly emerging. With its gritty but powerful image style, The Chinese Doctor gives a panoramic picture of the epidemic. By applying the theory of cultural memory to re-examine the rhetoric mode of the film, we can find the unique features of The Chinese Doctor in terms of memory practice, narrative structure and symbol extraction. At the same time, the documentary intervenes in the current history with a reconstructed cultural memory, projecting the care of the whole society to the medical group. In addition, the identity constructed after memory narration also occupies the topic advantage in the "anti-epidemic" talk, which provides new methods and approaches for the production of medical documentaries and creates a new landscape of official discourse communication.