乾嘉之世，书法面临碑学审美新风尚的日益盛行，再加之生纸与羊毫笔等新工具材料的广泛使用，一套新的技法体系、特别是其中的墨法尚待建立。邓石如正是得此时代之势，又积勤学之功，充分利用了生纸与羊毫笔的特性，形成了遒润古拙、浑厚苍茫、具有浓厚金石气的鲜明的墨法风格。文章在对邓石如墨法风格形成的内在审美机制的探析过程中，从其墨法与金石气、笔法、空间关系的理论分析出发，结合作品图像分析例证，对其墨法的表现技巧与美学内涵进行深入的解读，以期帮助读者更加立体地认识邓石如在书法史上的影响与意义，获得更多的启示。

During the reign of Qianlong and Jiaqing, calligraphy was faced with the increasing popularity of the new aesthetic trend of Stele Study, coupled with the wide use of new tools and materials such as raw paper and wool brush. A new technique system, especially the ink method, had yet to be established. Deng Shiru, who has gained the momentum of this era, diligently made full use of the characteristics of raw paper and wool brush, and formed a distinctive style of ink painting, which is elegant, ancient and thick, and has the spirit of epigraphy. By analyzing the internal aesthetic mechanism of the formation of Deng Shiru's ink style, starting from the theoretical analysis of the relationship between his ink style and spirit of epigraphy, brushwork and space, and combining with the image analysis examples of his works, this paper makes an in-depth interpretation of the performance skills and aesthetic connotation of his ink style, in order to help readers understand Deng Shiru's influence in the history of calligraphy and gain some insights.