中国古代崇尚人与自然和谐相生的自然观，在作画时奉行以小见大的宇宙观，以尺画显天地，在描绘客观事物自然属性的同时，更加注重表达画者主观的内心世界。古代自然观以哲学性探讨为依托，以参禅悟道为主要形式展现。道以艺现，绘画建筑等艺术形式囊括于艺之中并显现出独特的布陈置势，画道之理。中国山水画在全景式构图中通过山川之势与“人间之味”的排列布局体现人与自然相和之意，于截景之中突出刻画山川之性营造气韵生动之境，山通情，人晓意，达到物我相融的境地。中国山水画之意境展现出千人千味，生机百生，在传统自然观的影响下可观乾坤之景。

Ancient China advocated the view of nature in which human beings and nature coexist in harmony. In painting, Chinese people pursued the cosmology of seeing the bigger by the small, showing the world by the ruler painting. While describing the natural properties of objective things, they paid more attention to expressing the subjective inner world of the painter. The ancient view of nature is based on the discussion of philosophy and manifested in the main form of meditation and enlightenment. Dao is characterized by painting and architecture, which are included in art and show the unique arrangement of art. Chinese landscape painting reflects the harmony between man and nature through the arrangement of mountains and rivers and "human taste" in the panoramic composition. It highlights the nature of mountains and rivers to create a vivid atmosphere, so that people can understand the meaning of mountains and realize the harmony between things and themselves. The artistic
conception of Chinese landscape painting shows that thousands of people are full of vigor and vitality. Under the influence of traditional view of nature, the whole world can be seen.