《海上钢琴师》是意大利作家亚历山德罗·巴里科的代表作之一，其中主人公一九〇〇至死不愿下船的行为引起过学者们的广泛探讨。 多数学者的观点因过多关注了这一行为的消极影响从而滑向了童年决定论。但若从异托邦的视角出发，对一九〇〇所处的空间进行异托邦特征解读并详细探讨作品中异托邦空间和主流空间的权力关系，便会发现一九〇〇拒绝下船的行为代表了异托邦空间中他者的力量对主流空间内权力入侵的反抗。在主流权力企图以各种形式规训身处异托邦中的他者的同时，他者自身也在有意识或者无意识地抵 御着来自主流空间的控制，而这正是一九〇〇不下船行为的动力所在。

Novecento is one of the masterpieces of the Italian writer Alexandro Barrico. The protagonist Novecento's rejection of disembarkation has aroused wide discussion. Many researchers have paid attention to the passive side of Novecento's behavior, which led the researches to slide into childhood determinism. This paper intends to explore the relationship between heterotopia and authoritative space in this play, and attempts to explain that Novecento's rejection of disembarkation is motivated by the power of heterotopia. When authoritative space attempts to invade and control the Other in heterotopia, the Other also endeavored to resist it.