巢湖学院学报 ›› 2024, Vol. 26 ›› Issue (1): 52-59.doi: 10.12152/j.issn.1672-2868.2024.01.008

• 文学与艺术 • 上一篇    下一篇

《再生缘》“异托邦”的隐性表达

朱铠莹:安徽师范大学 文学院   

  1. 安徽师范大学 文学院,安徽 芜湖 241000
  • 收稿日期:2023-08-31 出版日期:2024-01-25 发布日期:2024-06-08
  • 作者简介:朱铠莹(1998—),女,浙江舟山人,安徽师范大学文学院硕士研究生,主要从事文艺学研究。

The Implicit Expression of "Heterotopia" in Zai Sheng Yuan

ZHU Kai-ying:School of Liberal Arts, Anhui Normal University   

  1. School of Liberal Arts, Anhui Normal University, Wuhu Anhui 241000
  • Received:2023-08-31 Online:2024-01-25 Published:2024-06-08

摘要: 弹词《再生缘》并非只是一个“架空”历史背景、虚构空间的女性幻想之作。作者陈端生虚拟了一个以历史为基础却超越历史现实的元代背景,构造了一个明君贤臣的错位时空;并从自我出发“分化”了两个性格迥异、且反社会性别刻板印象的主人公孟丽君与皇甫少华,构成了一个独特的镜像模式。而这埋藏于文本中的“异托邦”式的隐性表达,是身为才女的陈端生利用清代社会文化背景以及身份优势的一次大胆的自我表达和空间突破。

关键词: 《再生缘》, 陈端生, 异托邦

Abstract: The ballad opera Zai Sheng Yuan (Rebirth) is not merely a work of female fantasy set against a "fictitious" historical background and imaginary space. The author, Chen Duansheng, created a Yuan Dynasty setting that was based on history yet transcended historical reality, constructing a displaced time and space of wise rulers and virtuous ministers. Starting from herself, she created two protagonists, Meng Lijun and Huangfu Shaohua, who have distinct personalities and defy stereotypical social gender impressions, forming a unique mirror pattern. This "heterotopic" implicit expression hidden in the text was a bold self-expression and spatial breakthrough by Chen DuanSheng, a talented woman, utilizing the social and cultural background of the Qing Dynasty and her identity advantage.

Key words: Zai Sheng Yuan, Chen Duansheng, heterotopia

中图分类号: 

  • I237